nat creole. magazine
home about features art music/dance literature/travel events/links
 
.:: music | dance
 
.:: sections
+in memoriam. Oscar Peterson

Erykah Badu, Sunshine Theater, Albuquerque, NM. David Scheinbaum
Gelatin silver print, 2002
David Scheinbaum; © David Scheinbaum




.:: playlist


Taylor McFerrin
Broken Vibes EP

2008 Bonzai Sound Exchange
listen


Salif Keita
Moffou
2002 Universal Music France



Jazz @ Lincoln Center Orchestra feat. Wynton Marsalis
Congo Square
2007 Jazz at Lincoln Center

Mixing new age beatboxing with old school musicianship, McFerrin creates a sound that makes the unpredictable not only palatable but perfectly pleasing. Nice.

Moffou marked the return of Salif Keita to legendary status. Full and robust yet haunting and sparse, the Malian legend erased contradictions with the turn of a chord.

Co-written by Marsalis and Yacub Addy and performed in Katrina ravaged New Orleans in the spring of 2006, Congo Square translates both the history of the site for which it was named and the protestations of a community wronged.


Oscar Peterson Trio
The Trio
1973 Ojc Records


Beanie Sigel
The Solution
2007 Def Jam


meissa
Entre Seine et Sine
2005 Comet Records

 

Peterson's second great trio making their number one best album. Musicianship at its highest form. RIP Mr. Peterson.

Brave mis-mash of approaches in an unforgiving climate. With Rockafella on its last legs, its capo keeps firing.

A masterful tribute to the work of the late Senegalese poet Léopold Sédor Senghor, Meissa's voice is the perfect vehicle to bring out the beauty of Senghors lyrics.

CD is the single parent of HeadKnot and you can reach him at cd@natcreole.com



 
.::profile

Dilated Peoples, DJ Babu, Sunshine Theater, Albuquerque, NM. David Scheinbaum
Gelatin silver print, 2002. David Scheinbaum; © David Scheinbaum

Recognize! Hip Hop and Contemporary Portraiture
national portrait gallery

Every major musical movement has been driven by the magic of its iconography. From stylized album covers to re-imagined artistic interpretations to editorial photographs, every powerful musical movement has been buoyed by the mythos that surrounds the images of its greatest practitioners. The thought of musical iconography immediately brings time honored visuals to mind. The iconic images of stoic Jazz artists set in moody scenes replete with billowing smoke and Rock musicians alternating between hipster poses and performance induced mania are examples to name a few. But what are the prevailing visuals that will come to define the artists of the 20th century’s clean-up musical revolution? What will define Hip Hop for the eye? Perhaps no musical form has had such a powerfully propulsive visual component as Hip Hop. From Graffiti, Hip Hop’s own in-bred contribution to the world of Visual Art, to the genre-bending use of editing applied to its music videos, Hip Hop has always been a medium where the image has been as significant as the rhythm. But though artistic interpretations of Hip Hop iconography abound, the question still the remains, centuries from now what will be the visual remains of the Hip Hop star? continued

Grandmaster Flash and the Furious Five
By Kehinde Wiley
Oil on canvas, 2005
Collection Glenn Fuhrman, New York; © Kehinde Wiley

Mule
By Jefferson Pinder
8 mm film transferred to digital video, 2006
Jefferson Pinder, courtesy of G Fine Art; © Jefferson Pinder

The Pharcyde, Sunshine Theater, Albuquerque, NM
By David Scheinbaum
Gelatin silver print, 2002
David Scheinbaum; © David Scheinbaum

KRS One, Paramount, Santa Fe, NM
By David Scheinbaum
Gelatin silver print, 2002
David Scheinbaum; © David Scheinbaum

LL Cool J
By Kehinde Wiley
Oil on canvas, 2005
LL Cool J; © Kehinde Wiley

Ice T
By Kehinde Wiley
Oil on canvas, 2005
Private Collection, courtesy Rhona Hoffman Gallery; © Kehinde Wiley

For more information on Recognize! Hip Hop and Contemporary Portraiture, visit the National Portraiture Gallery.



 

+all images copyright BRUNI Sablan www.brunijazzart.com 2008

oscar peterson
pianist. statesman

Oscar Peterson was a large and graceful man. Even hunched over a piano, Peterson exuded a level of refinement that would define both his approach to music and his approach to life. His personal philosophy, like his music, sprung from a profound understanding of the importance of preparation and dedication. In addition to his place as a musical national treasure, Peterson was called upon to weigh in on issues far beyond the call of music, his influence extending to matters such as education and national policy. And with nearly every honor and hosanna imaginable placed neatly at his feet, Peterson still emanated an accessibility and openness that belied his exalted status. Oscar Peterson was a graceful man. continue

Like what you see? Well BRUNI Sablan has a host of work dedicated to the legends of jazz. For a closer look visit www.brunijazzart.com.