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Erykah Badu, Sunshine Theater, Albuquerque, NM. David Scheinbaum
Gelatin silver print, 2002
David Scheinbaum; © David Scheinbaum
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Dilated Peoples, DJ Babu, Sunshine Theater, Albuquerque, NM. David Scheinbaum
Gelatin silver print, 2002. David Scheinbaum; © David Scheinbaum
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Recognize! Hip Hop and Contemporary Portraiture
national portrait gallery |
Every major musical movement has been driven by the magic of its iconography. From stylized album covers to re-imagined artistic interpretations to editorial photographs, every powerful musical movement has been buoyed by the mythos that surrounds the images of its greatest practitioners. The thought of musical iconography immediately brings time honored visuals to mind. The iconic images of stoic Jazz artists set in moody scenes replete with billowing smoke and Rock musicians alternating between hipster poses and performance induced mania are examples to name a few. But what are the prevailing visuals that will come to define the artists of the 20th century’s clean-up musical revolution? What will define Hip Hop for the eye? Perhaps no musical form has had such a powerfully propulsive visual component as Hip Hop. From Graffiti, Hip Hop’s own in-bred contribution to the world of Visual Art, to the genre-bending use of editing applied to its music videos, Hip Hop has always been a medium where the image has been as significant as the rhythm. But though artistic interpretations of Hip Hop iconography abound, the question still the remains, centuries from now what will be the visual remains of the Hip Hop star? continued
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Grandmaster Flash and the Furious Five
By Kehinde Wiley
Oil on canvas, 2005
Collection Glenn Fuhrman, New York; © Kehinde Wiley |
Mule
By Jefferson Pinder
8 mm film transferred to digital video, 2006
Jefferson Pinder, courtesy of G Fine Art; © Jefferson Pinder |
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The Pharcyde, Sunshine Theater, Albuquerque, NM
By David Scheinbaum
Gelatin silver print, 2002
David Scheinbaum; © David Scheinbaum |
KRS One, Paramount, Santa Fe, NM
By David Scheinbaum
Gelatin silver print, 2002
David Scheinbaum; © David Scheinbaum |
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LL Cool J
By Kehinde Wiley
Oil on canvas, 2005
LL Cool J; © Kehinde Wiley |
Ice T
By Kehinde Wiley
Oil on canvas, 2005
Private Collection, courtesy Rhona Hoffman Gallery; © Kehinde Wiley |
| For more information on Recognize! Hip Hop and Contemporary Portraiture, visit the National Portraiture Gallery. |
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| +all images copyright BRUNI Sablan www.brunijazzart.com 2008 |
oscar peterson
pianist. statesman |
Oscar Peterson was a large and graceful man. Even hunched over a piano, Peterson exuded a level of refinement that would define both his approach to music and his approach to life. His personal philosophy, like his music, sprung from a profound understanding of the importance of preparation and dedication. In addition to his place as a musical national treasure, Peterson was called upon to weigh in on issues far beyond the call of music, his influence extending to matters such as education and national policy. And with nearly every honor and hosanna imaginable placed neatly at his feet, Peterson still emanated an accessibility and openness that belied his exalted status. Oscar Peterson was a graceful man. continue
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| Like what you see? Well BRUNI Sablan has a host of work dedicated to the legends of jazz. For a closer look visit www.brunijazzart.com. |
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